environmental sculpture, site specific sculpture, owen morrel, participatory artwork, metal sculpture, environmental sculpture NYC, new york, new york city sculpture,stainless steel artwork, aluminum artwork, large scale sculpture, sculpture installations, abstract artwork abstract sculpture, axis, the new museum, sithe energy group
OWEN MORREL   S c u l p t u r e   a n d   F i n e   A r t s   S t u d i o
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BIOGRAPHY
 
1950
Born in Amityville, New York
1972
B.A. Skidmore College, Colgate University
1973
Cranbrook Academy
  The artist lives and works in New York City
  Biography @ AskArt.com

ONE-PERSON EXHIBITIONS
1991
Philippe Staib Gallery, New York
1988
Walker Arts Center, Minneapolis, MN
Liz Galasso Fine Art, New York
Jason McCoy, New York
1986
Jason McCoy, New York
1985
Contemporary Arts Museum, Houston [more]
Centre d’Art Contemporaine, Bordeaux
Goldman-Kraft Gallery, Chicago
1984
Madison Art Center, Madison, WI [more]
Ted Greenwald Gallery, New York
1981
Gallerie Alfred Schmela, Dusseldorf
Bonlow Gallery, New York
1980
Gallerie Yvon Lambert, Paris
Gallery Ugo Ferranti, Rome
Gallerie Françoise Lambert, Milan
Permanent Collection, Museum of Modern and Contemporary Art, Nice [more]
1979
Gallery Ivon Lambert, Paris
Gallerie Alfred Schmela, Dusseldorf

GRANTS AND AWARDS
1981
C.A.P.S., New York State Council on the Arts, project grant
1980
Artists Fellowship, National Endowment for the Arts Natural heritage Trust, project grant
1979
C.A.P.S., New York State Council on the Arts, project grant

BIBLIOGRAPHY
"Public Sculpture" (28 min., 1983) Features Luise Nevelson, Owen Morrel and Richard Serra. Nevelson and Serra are interviewed by Marc Miller. [cmu.edu] [artnewyork.org] [film specifics]
Documentary Film on Public Art by Shalom Gorewitz, Parsons [more]
Anderson, Alexandria "Owen Morrel" The Village Voice, July 24, 1978
Anderson, Alexandria "Vignettes" Portfolio, November/December 1981, p. 8
Ashbery, John "Asylum in the Sky" New York Magazine, August 28, 1978, pp. 103-4
Ashbery, John "Don't Look Down" Newsweek, February 1, 1982, p. 77
Ashbery, John "Two For The Road" New York Magazine, July 28, 1980, pp. 52-3
Bourdon, David "An Artist Sees Far" Du, 1977, pp. 9-10
Bourdon, David "Owen Morrel Makes Optical Allusions" The Village Voice, December 13, 1976, p. 109
Brensen, Michael "Owen Morrel" The New York Times, October 16, 1987, p. 27
Brensen, Michael "Sculpture Goes Outdoors" The New York Times, July 1984, 1987, p. C-20
Brunelle, Al "Owen Morrel In Poughkeepsie and New York" Art In America, July/August 1977, pp. 93-4
Castle, Ted and Machals, Duane "Art In It's Place" GEO, September 1982, pp. 64-7
Castle, Ted "Owen Morrel In TriBeca" Art In America, October 1984, p. 195
Cavaliere, Barbara "The Making Of Omega" Arts Magazine, October 1980, pp. 118-122
Cavaliere, Barbara "Cityworks" Arts Magazine, November 1978, p. 19
Christo, C. "Le Toucher de L'Espace et du Temps" Artistes, March 1984, pp. 18-20
"Ein Gefangnis Diensie Der Freiheit" Du, September 1978, p. 19
Everingham, Carol "Heightened Perspectives-Owen Morrel Platforms To New Visions" The Houston Post, March 9, 1985, p. 1-2
Friedricks, Y. "Galerie Schmela, Dusseldorf; Ausstellung" Kunstwerk 33, No. 2, 1980, p. 75-6
Gluek, Grace "Sculpture Under A City Sky" The New York Times, July 14, 1978, p. C-23
Gluek, Grace "Tracking The Marvelous" The New York Times, April 24, 1981, p. C-19
Gordoni, Gianfranco "Boomerang" Actuel, February 1982, pp. 34-5
Karmel Pepe "Photography: Urban Disjunctions" Art In America, March 1982, pp. 45-9
Kingsley, April "Revisionism" The Village Voice, September 25, 1978, p. 113
Koch, Wolfgang "Zweschen Hutte, Halde und Siedlung" Ieton 211 (September 10-11, 1988)
Larson, Kay "Is There A Cramp In The Beauty Parlor?" The Village Voice, September 10, 1980, p. 77
Larson, Kay "On Edge" New York Magazine, January 1982, pp. 64-5
Levin, Kim "Owen Morrel" Arts Magazine, February 1977, p. 14
Marzoratti, Gerrald "Museum Without Walls" Soho Weekly News, July 27, 1978, p. 20
McFadden Sarah "Going Places, Part II: he Outside Story" Art In America, Summer 1980, pp. 51-61
McKinnon, Michael "Art Of The 1970's/History of Western Art" London: Visual Publications International, 1980, p. 9
Miller, Larry "Art In New York" Paletten, April 10, 1979, pp. 2-11
Nadelman, Cynthia "Gabo's Progeny" ARTnews, December 1987, pp. 123-7
Nadelman, Cynthia "Forest In Greenwich Village" ARTnews, November 1979, pp. 70-1
1981 Biennial Exhibition Exhibition Catalog New York: Whitney Museum of American Art, p. 79
Nuridsany, Michel "Asylum and Omega" Art Press, February 1981, p. 18
Pearlman, Jill "Boomerang" Us, April 27, 1982, pp. 22-3
Perlberg, Deborah "Reviews: New York" Artforum, December 1978, pp. 65-6
Raven, Arlene "Art In The Public Interest-Doing Or Making Good" The Village Voice, May 3, 1988, pp. 3-4
Raynor, Vivian "Two Sculpture Shows: One In Small Scale, The Other Large" The New York Times, June 12, 1988, p. 32
Rockefeller Center Special Education "The Rockefeller Group At A Glance" Center, November 1989, p. 6
Tompkins, Calvin "Boomerang" The New Yorker, April 19, 1982, pp. 36-7
Trebay, Guy "Struts and Hums" The Village Voice, July 23, 1980, p. 52
Voltz, Wolfgang "Omega" (Photo-essay) Plus, October 29, 1980, pp. 52
Gluek, Grace "Art People" The New York Times, July 21, 1978, p. C-18
McFadden, Sarah "reflections On A Tilted Ramp" Art In America, November 1980, pp. 120-3
Anonymous "New Sight At Niagara" Der Spiegel, July 14, 1980, pp. 137
Anonymous "Omega E Niagara" Domus, February 1981, p. 56
Ash, John "Morrel's Delirious Structures" Art In America, December 1991, pp. 104-08
Chayat, Sherry "Energy Sculpture" Syracuse Herald American, September 10, 1995
Blankstein, Amy Sculpture Magazine, February 1996, p. 27
Vogel, Carol "Inside Art" The New York Times, September 20, 1996
Hogrefe, Jeffrey New York Observer, December 20, 1997
Gerrit Henry "Art Talk" ARTnews, November 1998
Arts and Antiques November 13, 1998
Myers, Trent, "Owen Morrel Works 1976-1984", Madison Arts Center, 1984 [more]
   
HOME | NEW WORK | IMAGES | BIOGRAPHY-BIBLIOGRAPHY | INSTALLATIONS | ARTIST'S STATEMENT

The skyline of New York has been the focus of Owen Morrel's work for 20 years. McGraw Hill, The New Museum, Sithe Energy Group and Hell's Kitchen are included as installation locations.